ving marble of roman sculpture as well as that of later ｏ's inspiring and heroic Moses；I have sensed the power of Rodin；I have been awed by the devoted spirit of Gothic wood �but even they were meant to be seen rather than felt�and I can only guess at the beauty which remains hidden from �but its figured decorations are lost to me。
So on this�my second day of sight�I should try to probe into the soul of man through this �the whole magnificent world of painting would be opened to me；from the Italian Primitives�with their serene religious devotion�to the Moderns；with their feverish ；Leonardo da Vinci�Titian��study the mysteries of E1 Greco�catch a new vision of Nature from �there is so much rich meaning and beauty in the art of the ages for you who have eyes to see！
Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which is open to �of position�of form and �how happily would I embark upon so fascinating a study！ Yet I am told that�to many of you who have eyes to see�the world of art is a dark night�unexplored and �which contains the key to beauty—a beauty so �however�do not need a metropolitan to find this key to �and in books on the shelves of even small �in my limited time of imaginary sight�I should choose the place where the key unlocks the greatest treasures in the shortest time。
The evening of my second day of sight I should spend at a theatre or at the �but the action of the play must be spelled into my hand by a �or the gusty Falstaff amid colorful Elizabethan trappings！ How I should like to follow each movement of the graceful Hamlet�each strut of the hearty Falstaff！ And since I could see only one play�I should be confronted by a many�horned dilemma�for there are scores of plays I